"bygones be bygones or: whats hidden in snow, will come to light by thaw" Rosa Luxemburg Kunstverein, Berlin,

Video installation at "bygones be bygones or: whats hidden in snow, will come to light by thaw" Rosa Luxemburg Kunstverein, Berlin,

Installation view - "limbs, strata and edible seeds" Solo exhibition at KP Gallery, Seoul, South Korea

Installation view - "limbs, strata and edible seeds" Solo exhibition at KP Gallery, Seoul, South Korea

Installation view - "limbs, strata and edible seeds" Solo exhibition at KP Gallery, Seoul, South Korea

Painted Polaroids, time markers,  2022

"roped in" handblown glass volume hung on wall with rope and nail holding a newspaper sheet - shown at Buzzer Reeves for

Berlin Art Weeek 2022

"to the victor the spoils" Vergoldet, curated by Harald. F. Theiss, Schloss Biesdorf, Berlin, Germany

From exhibition "object amnesic: a compost manifesto" at Dorothée Nilsson Gallery Berlin

“from time to time” deconstructed and cut encyclopedia books and a theatre manuscript, interlaced with photographic negatives between virgin quartz crystals on custom made shelf, 130x15x15cm, 2022

“seconds away”, installation, video loop projected on vase (object trouve), 2022

"vertical violence" - Vergoldet, curated by Harald Theiss, Chateau Nyon, Switzerland

From "object amnesic: a compost manifesto" book presentation, installation detail, Kunstverein am Rosa-Luxemburg-Platz 2022

"on scenography" - hand blown glass volume on scenography canvas on plinth, 2021

"on found" - hand blown glass object with found discarded plant, 2021

"multiplications on marks" - hand blown glass volume on paper, pigment on book, Lage Egal, Berlin  2021

"vertical storytelling" 13 metal tables, cut-out newspaper, pigement and 14 raw quartz crystals,

Changwon Sculpture Biennale 2020 Seoul, South Korea

"vertical storytelling" 13 metal tables, cut-out newspaper, pigement and 14 raw quartz crystals,

Changwon Sculpture Biennale 2020 Seoul, South Korea

"vertical storytelling" 13 metal tables, cut-out newspaper, pigement and 14 raw quartz crystals,

Changwon Sculpture Biennale 2020 Seoul, South Korea

 "double negative" serigraphs, glass objects and canvas, 2019, Haus am Lützowplatz, Berlin / photograph Trevor Good

Refraction of lightness, Palazzo Spinelli Tarsia - Fondazione Morra, Naples, Italy

Refraction of lightness, Palazzo Spinelli Tarsia - Fondazione Morra, Naples, Italy

Refraction of lightness, Palazzo Spinelli Tarsia - Fondazione Morra, Naples, Italy

Refraction of lightness, Palazzo Spinelli Tarsia - Fondazione Morra, Naples, Italy

Refraction of lightness, Palazzo Spinelli Tarsia - Fondazione Morra, Naples, Italy

Refraction of lightness, Palazzo Spinelli Tarsia - Fondazione Morra, Naples, Italy

DAEGU PHOTO BIENNALE, Kunstverein am Rosa-Luxemburg-Platz, Berlin 2019

“volume unveil” - hand blown glass volume, wrapped in found repurposed textile bag, ca 45x55 cm, 2019
shown in "vertikalwinkel" in Das Schau Fenster Berlin 2019

"in tension" hand blown glass object in plaster mould with tension belt, 2019

Vertical Matter at Dorothée Nilsson Gallery Berlin 2019 - photograph and hand blown glass volume with plaster cast pieces

Vertical Matter at Dorothée Nilsson Gallery Berlin 2019

Vertical Matter at Dorothée Nilsson Gallery Berlin 2019

SYMBIOPOIESIS - with Diether Roth and Nam June Paik, Curated by fontaine B. and Jens Soneryd, Galerie Papillon, Paris

SYMBIOPOIESIS - with Nam June Paik, Curated by Chiara Valci Mazzara. and Jens Soneryd, Galerie Papillon, Paris

"forward multiplications" - installation of glass pieces and photographs 2018, Ann Wolff prize 2017, 

Ann Wolff Studio Gotland Visby, Sweden

"forward multiplications" - installation of glass pieces and photographs 2018, Ann Wolff prize 2017, 

Ann Wolff Studio Gotland Visby, Sweden

"forward multiplications" - installation of glass pieces and photographs 2018, Ann Wolff prize 2017, 

Ann Wolff Studio Gotland Visby, Sweden

"forward multiplications" - installation of glass pieces and photographs 2018, Ann Wolff prize 2017, 

Ann Wolff Studio Gotland Visby, Sweden

from the compost project

"times new roman" ("echoes in dust") Åplus Berlin, 2017

"echoes in dust" Åplus Berlin, 2017

"thirdness" Künstlerhaus Bethanien, Berlin 2017

"tell tale" at "thirdness" Künstlerhaus Bethanien, Berlin 2017

"the compost" Federal Foreign Office Berlin, 2017

From "times new roman", parts of trophies and pigment 2016

cut-out storyline 01, 2016, pigment print, 110 x 85 cm

cut-out storyline 03, 2016, pigment print, 110 x 85 cm

Object Amnesic, The Ephemeral Collection - Salonistes, Venice, 2016

cornered, pigment print, 90x65cm, 2016

top on wood, 110x85cm, pigment print 2013

Parts from places, 1-4, cut out photographic negatives parts of maps on cardboard, 2015 - ongoing

Perceptions, exhibition view, Grundemark Nilsson, Berlin 2016 - Door, lightbox 90x65 cm

Mashti - Installation, Grundemark Nilsson, Berlin, 2016

leaves-cut (1, 11, 9) 45x33cm each, (framed)

Kollision, Im Labyrinth der unheimlichen Zufälle, Kunstraum Kreuzberg, Bethanien, Berlin 2016 

 

"to the letter", Der Würfel, Neumeister Bar-Am, 2015

"quarter of a kind" Neumeister Bar-Am, 2013

second life - first place, Konrad Fischer Galerie, Berlin 2012-2013

untitled nr 04, from second life - first place, 50x40 cm (framed) 2012

memorial cut-out, pigment print (from cut negative) 110 x 85cm unique + 1 AP 2013

installation view, komplexraum #1, General Public Berlin, 2012

installation view, komplexraum #1, General Public Berlin, 2012